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Showing posts from September, 2018

Brixham Harbor in Devon England (White Arcylic on Black Gesso - Drawing Done with a Dremel - Color Added with Oil Paint

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Gath Aml-liw (Watercolor Pencil Greeting Card)

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Major Oak in Sherwood Forest (Watercolor Pencil)

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African Savanna (Batik)

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Greeting Card (Watercolor Pencil) for my sister and brother in law's wedding anniversary

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Mood (Block Print)

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Lily (Batik)

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Milwaukee (My Home Town) Skyline at the Lake Front (Oil, Acrylic and Dremel)

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The first picture is my draft of the final black, white and gold piece.

Geisha (I continued to experiment with alternate inks, paint, embossing powder and overprints - and finally came up with results that I am satisfied with)

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  I used an overlay paper that I made with a printing block of oriental letters.  Gold embossing powder over white robed geisha Gold and black embossing powder on red robed geisha

Geisha (Enhanced) - I had some time this afternoon, so decided to just try some alternate media on the block - for the most part - this did not turn out well except that the block itself - with red acrylic ink, gold gesso and white opalescent ink on it turned out fascinating -- and I applied gold embossing to one of the prints (purple geisha) to her kimono but did not get a very impressive affect)

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Geisha (Block Print - Initially Printing with Conservative Ink - Possibly I will Attempt More Variations)

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Heron (Batik)

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Polychromatic Torso - (Oil Pastels)

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Setting Sail (Watercolor Prints on Plastic Overlays - a Three Step Process)j

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The first step was to do a watercolor pencil drawing of just the boat - no backgtound; the second step was to do a watercolor pencil drawing of the background on a second sheet of paper; the third step was to cut out the boat from the boat drawing I did in step 1; I then copied the boat cut out on one piece of clear plastic overlay and I copied the background on a second piece of clear plastic over lay.  For the fourth step, I laid the boat over lay on top of the background over lay.

Setting Sail (Watercolor Prints on Plastic Overlays - a Three Step Process)

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Impressions of London Cityscape (30 minute pastel sketch to play with color)

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Batik (First Time I Have Done This Since 1964 When I Was In a High School Art Class)

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Milwaukee (My Home Town) Skyline - Black Gesso on Canvas with Pastel and Sandpaper

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I am not sure if this is a final work or not - I am in the process of reviewing a technique used by Paul Balmer, an Australian artist.  He applies black paint to canvas and then draws in his image (using a cityscape) and then with a dremel (a power took that has a rotating disc head to sand or cut a surgace(he takes out the lines of his drawing leaving black canvas with the white canvas exposed from the action of the dremel on the canvas.  I don't have a dremel, so I used sandpaper to expose the white canvas. Paul then paints a black layer over the cut canvas and then applies color to the under lying drawing that appears vaguely thru the second layer of black paint. At this point I am stumped since I am not sure my sandpaper lines are deep enough to withstand an additional layer of black paint  - so that it shows thru slightly As with a lot of my art work - I may consider it done, temporarily - and then just think about it periodically over the next weeks or months a...

Bamboo in Blue and Green) on Marble Abstraction)

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I took the Marble Abstraction piece and superimposed construction paper and tissue paper to create the illusion of bamboo.